Visits to Old Timey Places

Nicole likes things from olden times.
Sun Jan 11

If Elected… (NYHS exhibit)

On Friday night, I finally enjoyed the two free hours offered weekly by the New York Historical Society. I could do that because Sarah Durning was not following me around, saying vulgar things and telling me how hungry she feels. (Several members of my Time Traveling Improv Class met at the uptown museum. More on that in a later entry.)

In those two hours, we visited three exhibits. Here’s the first.

If Elected: The Game of American Politics
July 4, 2008-January 11, 2009

Oh man. I love elections. Following elections is like following sports for people who get nervous about running, falling, jumping, tackling, throwing, diving or balls. It also comes with the added component of having an outcome which is, you know, important. Unlike sports. Zing.

That’s me, speaking truth to athletes.

The exhibit is located on the fourth floor. This is also where NYHS displays all of their chairs.

To start, there’s a column and an L-shaped glass case. The column is covered with campaign buttons and a brief history of button-making - 1916 being a big year for changes in production. The display content leans heavily toward the second half of the 20th century.

Here’s a quick note: when I get married, I’d like it to be in a dress that just has the name “IKE” reprinted all over it.

I’m looking forward to my pre-wedding break-in of the NYHS. I imagine it will be like “From the Mixed-Up Files of Mrs. Basil E. Frankweiler” meets “27 Dresses.”

There’s a lot about Eisenhower,  although I still think that “liking Ike” falls one behind getting “clean for Gene” on the list of great campaign ideas. Also, while the Society believes the fedora belongs to Truman iconography, I think we can all agree that’s not totally true.

Harry Truman + fedora yields 24,800 google results
Indian Jones + fedora yields 256,000 google results
Some Random Guy + fedora yields 34,800 google results

That’s math.

So, the exhibit starts with this corner case of campaign artifacts and then you move on to -

NOTHING.

That’s the whole exhibit.

My rational mind assumes that the NYHS has been dedicating time to their thorough and impressive Grant vs. Lee exhibit. “If Elected” was most likely a smaller project, presented to recognize the 2008 election and using pieces from their permanent collection.

The other half of my brain sees some kind of commentary on campaign elections - you know, the way they lure you in with promises and then never deliver. Yes. I’m looking at you, Franklin Pierce.

That’s me, speaking truth to Franklin Pierce.

Here’s the link to the exhibit. Now you’ve experienced everything I did. You’re welcome.

Thu Jan 8

I’m going to keep posting videos from historical musicals for as long as I can find them.

This is from the Tony performance of Parade, Jason Robert Brown’s retelling of the Leo Frank trial. Great scene. Incredibly sad story.

True fact: I love musical-ed history far more than I love accurately rendered history. Always.

Tue Jan 6

I have been trying to post this since I started tumbling. Bluegobo finally figured out how to code so now you can embed their videos.

from the musical Ben Franklin In Paris, this is the song Half the Battle.

You’re welcome.

Wed Dec 3

Vote for Ike Eisenhower.

Tue Dec 2

Federal Hall: Part Two: Federal Hall

That’s a paintshop rendering of my crude hand-rendering of the map at the entrance to Federal Hall.

Doesn’t everything on there look ridiculously exciting?

If you read that with sarcasm, your heart is black. Go back and read it with a quiet, content joy.

The current special exhibit chronicles Associated Press coverage of the American Presidency. I’ve jumped on the AP is a shell of the unbiased news organization it once claimed to be bandwagon, and was prepared to dismiss the exhibit. That’s not really worth it, since it’s mostly pictures.

The easels are themed. As you walk, you progress from campaigns to international relations to assassinations to “crisis and scandal” to “for the record” (meaning: miscellaneous) to “at war” and “at ease”. Or, from promising to tragic to dispiriting to irrelevant to serious and back again to irrelevant. Or, a pretty accurate reflection of modern media coverage of presidential politics.

Nailed it.

It’s actually a nice exhibit. And interesting. For example, did you know that LBJ had a horse named Lady B after his wife? I don’t come from a horse family, but I assume it’s a compliment.

The main attraction is the permanent inauguration display. Along one wall there is a diorama documenting the march from Washington’s home on Cherry Street (3 Cherry Street to be exact. You could go visit it today except for we put a bridge to Brooklyn there). In my ranking of “People Replicas That are Neat” these figures are second only to lifesize wax statues. Boy, those are creepy-awesome.

Below the march, there’s a glass case of items. No, these aren’t from the inauguration. They’re from the 100th anniversary of the inauguration. Lest you forget, this country loves anniversaries. At the far end of the case, there’s a collection of Washington memorabilia: Washington jugs, buttons, jewelery, frames and stuff I couldn’t identify. The labeling here isn’t the best. In the middle, there’s a pair of buttons. The text says “…These brass buttons, with their patriotic symbols, could have been worn by spectators viewing the events.” Could have been. Spectators. Sheesh.

Along another wall, there are two models of Federal Hall. The first is Federal Hall from 1789-1790. (I knew there was a balcony. I vaguely recall an account of the proceedings which mentioned a balcony. And joyful crying.) Behind the model is a map of lower Manhattan at the time. Then there’s a model of Federal Hall from 1703-1788, with a map of c. 1730 Manhattan behind it.

Just as I was getting in a tizzy about how absolutely nothing here relates directly to the events described, I turned around and saw it. You know, it: the bible on which George Washington was sworn into the Presidency. Go visit and if you’re not moved by that a little bit, you’re mostly dead inside. Or Canadian.

(Harding, Eisenhower, Carter and Bush Sr. all chose that bible as well.)

Moving back into the main hallway, AP exhibit continues followed by a giant piece of stone behind a velvet rope. The slab of rock has this carved into it: “Standing on this stone in the balcony of Federal Hall April 30 1789. George Washington took the oath as the 1st President of the United States of America.” I’m guessing it did not say that in 1789. Zing.

In an open safe (commemorating the time this was a customs house and subtreasury) is a reproduction of the first and last pages of Washington’s inauguration. Two thoughts:

First) he had great handwriting and

Second) damn fine speech.

The ‘speech in the safe’ is a nice shout-out to the various purposes this building has served. Well played.

On the other side of the rotunda is the printing press display, documenting the Zenger jailing and trial. It’s remarkably well-written and attractively presented. I do know a lot about the printing press or the Zenger trial, so I’m unable to create the illusion of being more informed than I am by getting sassy. For now.

I headed towards the back to catch the New York: An American Capital exhibit. I mistakenly assumed it would cover the brief period of time during which New York was The American Capital. Wrong. It’s a placeholder for a visit from the National Archives (at some undetermined time in the future) which covers New York’s history as a theoretical American capital. You know, with all the arts, sports, and historical events. If you want to stare at poor replicas of documents arranged with no clear over-arching concept, by all means - hurry.

I noticed the stairs to the Hamilton exhibit were roped off. When I asked the visitors’ center about it, I was informed no one is allowed upstairs anymore. Apparently nobody told the map by the entrance. Also, apparently New York and Alexander Hamilton are on a break.

The downstairs is just a wide open space with a series of columns in the middle where there used to be vaults. Today, there’s just a Restroom That Doesn’t Trust You. Seriously. From outside, you can only open the door by pushing a large button. Inside there are four stalls and a sink and every time you try to get near enough to close the main door it snaps back open.

In any case, Federal Hall is well worth the visit for 1) the building being so nice, 2) the history of the place 3) the incredible wealth of information and 4) the Bible thing. Go. It’s free, after all.

For all of my above sarcasm, I’m not quite conveying that I actually left in a state of ecstasy (meaning a state of extreme delight or joy, not in a sexy way. Don’t be gross.)

Mon Dec 1

Federal Hall: Part One: Getting there and History

I’ve been on a staycation from work since last week. During that time, the excel spreadsheet of intended historical visits has dwindled slowly until it was left with “Monday: Federal Hall, maybe Museum of American Finance.” That first one sounds like heaven, that last one sounds as boring as…a finance museum. I did not go.

The Federal Hall National Memorial Website recommends taking the 1 train down to the Rector stop. I boarded the train a block from my apartment and, apparently, decided those directions were so simple as to require no further explanation. I got out at Rector and realized the following things

1. The grid system stopped well north of here

2. My “innate sense of direction” is a construct

3. I am not too cool for maps

and

4. I have not been to this part of Manhattan in fifteen years. If ever.

This place has some of my favorite city features: narrow streets, elevated churches, plazas gallore and a High School of Economics and Finance. (How miserably-boring yet promising. What must their prom be like? I need to know immediately.)

The streets have delightful names like Cedar, Liberty, Trinity and Thames. Thames! That’s British. This whole neighborhood is olden-timey.

I eventually wandered into the World Financial Center and was struck with a sudden panic. I’m a good kid. I rarely get in trouble. When I do, it’s usually with strangers who don’t know I’m a good kid. And it’s usually at tourist attractions (ask me about Louisa May Alcott’s desk). To compound this, anything related to money makes me nervous. To compound this compound, anything involving security clearance makes me incredibly nervous. Swallowing the sudden sense of doom, I grabbed a map, oriented myself, and booked it in the direction of Wall Street. Conveniently, I wasn’t so far off track.

Federal Hall is located at 26 Wall Street. From outside, it features one of my favorite things of all things: front steps intended for public assembly. It also has a ridiculously large statue of George Washington. That makes sense since this is where he was inaugurated on April 30, 1789. Kind of.

A brief history of Federal Hall:

It began as New York’s City Hall. Until the revolution, the most notable event was the acquittal of Peter Zenger, a newspaper printer who circulated accurate but unflattering stories about Royal Governor William Cosby. The 1735 tryal (deliberate) served as an appropriate precursor to the Bill of Rights.

In October 1765 nine colonies met to rouse rabbles at the Stamp Act Congress.

Under the Articles of Confederation, Congress met here. This is when New York City was the capital for, like, twenty minutes. Remember? During that time we passed the Northwest Ordinance of 1787. You’re welcome, Ohio.

On March 4, 1789 the first Congress of the United States met, selected their President and let him know. The next month, that inauguration thing happened.

On September 25, 1789 Congress sent twelve amendments to be ratified by the states. That’s right: twelve. The first was an amendment stating that no district for the House of Representatives exceed 50,000 people. New York passed it but it was ultimately rejected. Good call. According to a placard, we’d have a House made up of 6,000 reps. The second was an amendment limiting the ability of a congress to alter their salary. This was rejected until May 7, 1992 when a congressman’s staffer rediscovered the amendment and began the process of pushing it through. Nailed it.

The next year, the capital moved to Philadelphia and eventually Washington, DC. The New York City government remained in the building until 1812 when, for whatever reason, the original building was razed. This information cannot be found anywhere at Federal Hall because National Park Services is pretending it never happened. I had to wikipedia it.

In 1834, construction began on a new building, embracing the Greco-Roman features of the original capitol but simpler. From 1842 to 1862 the building served as a Customs House. From 1862 to 1920 it also became the New York Branch of the Independent Treasury at Lincoln’s insistence. Fun fact: During the panic of 1873, gun turrets were placed on the roof in anticipation of mob violence.

The building became federal offices and a museum in 1924, was designated a national historic site in 1939, and became a national memorial in 1955. The subtlety of these distinctions still escapes me.

Yet to come: the actual visit

Thu Oct 16
Merchant’s House Museum is a house museum located at 29 East Fourth Street.
The museum preserves a mid-nineteenth century domestic dwelling, belonging to the family of Seabury Tredwell, a wealthy merchant.
If you were walking up, you’d know the house by the large French flag with the word OPEN typed across the white row.
You’d also know it by the NHL plaque.
Statement of Significance (as of designation - June 23, 1965) for Old Merchant’s House/Merchant’s House Museum:
Owned by an urban merchant, Seabury Tredwell, this three-story brick townhouse (1832) is representative of the transition from the Federal to the Greek Revival period in architecture. It provides a remarkably authentic picture of the life and times of a prosperous mercantile family. Tredwell’s daughter lived in the house from her birth in 1840 to her death in 1933, saving everything and changing nothing. Consequently, the collections, including furniture, fabrics, clothes and carpets, make this property truly remarkable.
Ring the bell and follow the main hallway to the offices in the back. You make your own tour, with docents available throughout the house to answer questions. This means you’re free to wander and only have to interact with people of your own volition.  Score one for the bookish and awkward.
But you’re not really alone: the museum equips guest with a plastic red binder of sheet-protected paper: a makeshift guidebook.  The information inside combines observations about the house and family with research into the customs and inventions of the time. Ever wonder how a bee hive bake-oven works? Wonder no more.  I have a pretty strong moral compass, but I thought seriously about swiping the book.  It’s funny, clear, interesting and varied in content.
Awesome/creepy thing: Casually reading through the book only to discover I am standing in a room where somebody died.  And then discovering that multiple people died there. Maybe I spook easy, but I ran off that floor pretty quick.
Speaking of spooky – not to spoil anything but you should really, seriously, for real, visit the house before November 10th. There’s a pretty special exhibit. If you need to know more, the black wreath on the front door should tell you enough.
Let me know if you plan to go, since I need to go back. After about twenty minutes in the house, 30 schoolchildren walked in and things got crowded pretty fast. I could have dashed into the courtyard for air, but the active construction site next door would have undercut that. There’s a string of yellow tape separating the two. Somewhere in that visual is an observation about New York City’s past and present or preservation versus movement forward. I’ll think it through next time I visit.
HOURS & ADMISSION
Hours 12 to 5 p.m., Thursday, Friday, Saturday, Sunday & Monday. Closed Tuesday & Wednesday.Holidays Closed Easter Sunday, Independence Day (July 4), Thanksgiving Day, Christmas Eve (December 24), Christmas Day (December 25), New Year’s Eve (December 31), and New Year’s Day (January 1)
Admission $8 General, $5 Students & Over 65 FREE for Members and children under 12 accompanied by an adult.
http://merchantshouse.org/

Merchant’s House Museum is a house museum located at 29 East Fourth Street.

The museum preserves a mid-nineteenth century domestic dwelling, belonging to the family of Seabury Tredwell, a wealthy merchant.

If you were walking up, you’d know the house by the large French flag with the word OPEN typed across the white row.

You’d also know it by the NHL plaque.

Statement of Significance (as of designation - June 23, 1965) for Old Merchant’s House/Merchant’s House Museum:

Owned by an urban merchant, Seabury Tredwell, this three-story brick townhouse (1832) is representative of the transition from the Federal to the Greek Revival period in architecture. It provides a remarkably authentic picture of the life and times of a prosperous mercantile family. Tredwell’s daughter lived in the house from her birth in 1840 to her death in 1933, saving everything and changing nothing. Consequently, the collections, including furniture, fabrics, clothes and carpets, make this property truly remarkable.

Ring the bell and follow the main hallway to the offices in the back. You make your own tour, with docents available throughout the house to answer questions. This means you’re free to wander and only have to interact with people of your own volition.  Score one for the bookish and awkward.

But you’re not really alone: the museum equips guest with a plastic red binder of sheet-protected paper: a makeshift guidebook.  The information inside combines observations about the house and family with research into the customs and inventions of the time. Ever wonder how a bee hive bake-oven works? Wonder no more.  I have a pretty strong moral compass, but I thought seriously about swiping the book.  It’s funny, clear, interesting and varied in content.

Awesome/creepy thing: Casually reading through the book only to discover I am standing in a room where somebody died.  And then discovering that multiple people died there. Maybe I spook easy, but I ran off that floor pretty quick.

Speaking of spooky – not to spoil anything but you should really, seriously, for real, visit the house before November 10th. There’s a pretty special exhibit. If you need to know more, the black wreath on the front door should tell you enough.

Let me know if you plan to go, since I need to go back. After about twenty minutes in the house, 30 schoolchildren walked in and things got crowded pretty fast. I could have dashed into the courtyard for air, but the active construction site next door would have undercut that. There’s a string of yellow tape separating the two. Somewhere in that visual is an observation about New York City’s past and present or preservation versus movement forward. I’ll think it through next time I visit.

HOURS & ADMISSION

Hours 12 to 5 p.m., Thursday, Friday, Saturday, Sunday & Monday.
Closed Tuesday & Wednesday.

Holidays Closed Easter Sunday, Independence Day (July 4), Thanksgiving Day, Christmas Eve (December 24), Christmas Day (December 25), New Year’s Eve (December 31), and New Year’s Day (January 1)

Admission $8 General, $5 Students & Over 65
FREE for Members and children under 12 accompanied by an adult.

http://merchantshouse.org/

Wed Aug 27
My mother was born before women could vote. My daughter voted for her mother for President. Hillary Clinton (via derbygirl)(via soupsoup)(via leilacohan)
Sun Aug 17
We are the daughters of feminists who said “You can be anything” and we heard “You have to be everything”.

-Courtney Martin, Perfect Girls, Starving Daughters (via leilacohan)

Great quote, though it’s a stretch to relate it to the topic of this tumblr.

Mon Aug 4
French Founding Father: Lafayette’s Return to Washington’s America
November 16 - August 10
New York Historical Society, 170 Central Park West
This was my first visit to the New York Historical Society. I can’t comment on which elements are specific to the NYHS asthetic and which are specific to this exhibit. By the way, I overuse the word asthetic a lot. I’ve decided it means meanings that I’m not sure it means.
Anyway, the presentation was eye-pleasing and featured illustrated versions of historical persons - always a win.
The 19th century dinnerware is neat, the paintings are swell, the surviving carriage is awesome, and the audio exhibits are fun (when they work). More engaging than anything in a glass case is the picture we get of a new nation approaching its own mythology. Lafayette’s visit offered an opportunity for the second generation of Americans to look backward and they were super, really, freaken excited to do that.
A significant portion of the exhibit came from or was inspired by Mount Vernon’s “A Son and His Adopted Father: George Washington and the Marquis de Lafayette.” That relationship is key to the importance of Lafayette’s tour. While founding fathers Adams and Jefferson were still kicking around in their respective retirements, neither one of them was Washington. I guess Jefferson lied and Adams hated cherry trees? Whatevs.
With Lafayette’s return - it was like America had Washington back again. Please take this opportunity to ignore the fact that throughout his life, Washington had, like, a dozen “adopted sons.”
Additionally, the hero Lafayette filled the role of esteemed ambassador from the old world, reporting back of their artistic accomplishments, social achievements and astounding hospitality. To simplify wildly: the visit served a necessary role in the continued development of American identity at home and abroad.
And the General himself? All we really gather is that Lafayette was a very good guest who said charming things and looked nice on canvas. In short, “Founding Father: Lafayette’s Return to Washington’s America” has little to do with Lafayette and everything to do with America.
Keep in mind, these sweeping generalizations were formed as I raced through the exhibit while listening to Sarah D complain about her hunger pains. Grain of salt. You should go. The exhibit is only open for another week, but it’s really worth the time. Also, there’s a guillotine in the basement.
Additional reading:
Read Passionate Sage and American Sphinx by Joseph Ellis. Those last chapters shed a whole lotta light on early 19th century America, as experienced by two founding fathers coping with the historicizing of their own experiences.
Historicizing is another word I’ve appropriated to mean new things.
Appropriated may be another one of those words.
Kudos to the NYHS for generalized awesomeness of mission and specific awesomeness of this exhibit.
Fun facts:
On September 10th, 1824 Lafayette attended one of many New York City fancy dress parties. 161 years-to-the-day later, I was born. Cool.
The guillotine was used in French death penalties until 1977 (!)
Painting by Edward F. Peticolas Lafayette, 1824. Oil on canvas. Courtesy of Valentine Richmond History Center.

French Founding Father: Lafayette’s Return to Washington’s America

November 16 - August 10

New York Historical Society, 170 Central Park West

This was my first visit to the New York Historical Society. I can’t comment on which elements are specific to the NYHS asthetic and which are specific to this exhibit. By the way, I overuse the word asthetic a lot. I’ve decided it means meanings that I’m not sure it means.

Anyway, the presentation was eye-pleasing and featured illustrated versions of historical persons - always a win.

The 19th century dinnerware is neat, the paintings are swell, the surviving carriage is awesome, and the audio exhibits are fun (when they work). More engaging than anything in a glass case is the picture we get of a new nation approaching its own mythology. Lafayette’s visit offered an opportunity for the second generation of Americans to look backward and they were super, really, freaken excited to do that.

A significant portion of the exhibit came from or was inspired by Mount Vernon’s “A Son and His Adopted Father: George Washington and the Marquis de Lafayette.” That relationship is key to the importance of Lafayette’s tour. While founding fathers Adams and Jefferson were still kicking around in their respective retirements, neither one of them was Washington. I guess Jefferson lied and Adams hated cherry trees? Whatevs.

With Lafayette’s return - it was like America had Washington back again. Please take this opportunity to ignore the fact that throughout his life, Washington had, like, a dozen “adopted sons.”

Additionally, the hero Lafayette filled the role of esteemed ambassador from the old world, reporting back of their artistic accomplishments, social achievements and astounding hospitality. To simplify wildly: the visit served a necessary role in the continued development of American identity at home and abroad.

And the General himself? All we really gather is that Lafayette was a very good guest who said charming things and looked nice on canvas. In short, “Founding Father: Lafayette’s Return to Washington’s America” has little to do with Lafayette and everything to do with America.

Keep in mind, these sweeping generalizations were formed as I raced through the exhibit while listening to Sarah D complain about her hunger pains. Grain of salt. You should go. The exhibit is only open for another week, but it’s really worth the time. Also, there’s a guillotine in the basement.

Additional reading:

Read Passionate Sage and American Sphinx by Joseph Ellis. Those last chapters shed a whole lotta light on early 19th century America, as experienced by two founding fathers coping with the historicizing of their own experiences.

Historicizing is another word I’ve appropriated to mean new things.

Appropriated may be another one of those words.

Kudos to the NYHS for generalized awesomeness of mission and specific awesomeness of this exhibit.

Fun facts:

On September 10th, 1824 Lafayette attended one of many New York City fancy dress parties. 161 years-to-the-day later, I was born. Cool.

The guillotine was used in French death penalties until 1977 (!)

Painting by Edward F. Peticolas Lafayette, 1824. Oil on canvas. Courtesy of Valentine Richmond History Center.